The overkill of Pinoy singing exports
Monday, December 29th, 2008(First of 2 parts)
IF you’re a fan of Charice Pempengco and Arnel Pineda, you might think I’m making fun of your heroes; so to be safe, skip this column and proceed to the Horoscope section.
If you’re still there, it’s nice to know we share the same irritation with anything that devours talents like it’s the Great Famine. It’s double the annoyance when you see the talents yielding like dumb sheep. It’s thrice the exasperation when you can’t change channel without seeing them being interviewed by Ellen DeGeneres, Oprah, Boy and Kris, Sharon Cuneta, Korina Sanchez, and the President of the Philippines.
What’s next, Charice on Al Jazeera?


In elementary, I was a member of a children’s choir that performed only during Christmas. We were different from other choral groups in that we didn’t sing the usual Christmas carols. Instead, we performed a number that was almost 30 minutes long, complete with choreography that required a lot of stomping of the feet and prancing around.
I love judging choral contests because they are funny. Gone are the days when choir singing was a serious business reserved for the musically gifted. Today, anybody with the musical intelligence of a frog can join a choir for those mandatory daygon contests in schools or the workplace. It is fun, like Christmas should be.

WHICH takes more effort, smiling or frowning? Experts say it takes more muscles to smile than it does to frown. In that case, I’m suffering from facial muscle fatigue since I’m what you may call a frown person.
EVERYTIME Mr. Ryan Cayabyab opens his mouth, the country’s music buffs listen. They know that if they don’t, there’s no more reason left to respect each other.
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